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A+ Library is my bit where I review books with asexual and aromantic characters.

Shhh we're ignoring that I forgot to post this on Friday yesterday. Went on a weekend trip with the squad this weekend and we had to stop at the local Barnes and Noble (It's been a while since I was in one that big! Ours in my town is now in the mall, so it's quite small.) where I spent too much and picked up some things on my TBR plus my own copy of Our Wives Under the Sea. We had some downtime on the trip and I managed to finish the first of the new books while we were there. This was Someone You Can Build a Nest In by John Wiswell.
 
I wanted so much to like this book, and not just because I was charmed by the purple-themed Barnes and Noble-exclusive cover and edging. It landed on my TBR for being an asexual romance (sapphic, if you take Shesheshen for female, which you don't have to do), and I enjoyed the plot concept. Unfortunately, I did not like the book. If I had not paid for it I probably would not have finished it. The following review is not to say it's a bad book—it has an average rating of 4.05 stars on StoryGraph based on over 6,000 reviews, so obviously people like it—but to say that it specifically had a number of things that made it a big thumbs down for me.

The Character(s): Shesheshen, asexual; Homily, asexual
Verdict: Thumbs down
Previous read: To be Taught, if Fortunate

ExpandFull review below )
 

The Incandescent

Aug. 1st, 2025 11:48 am
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The marketing that I've seen for this book has been fairly buzzword-heavy, which I think does both it and potential readers a disservice. It's not a vibes-forward romance with "dark academia" aesthetics as the taglines imply, but rather a surprisingly grounded deep dive into the head of a brilliant, passionate, overworked and above all overproud educator -- three doors over from the hubris of Greek tragedy if anything, and firmly rooted in the complexities of being a person. As someone who loves an immersive POV, this was very much fine by me, but someone going in looking for, say, a love story might be a little disappointed: our bisexual protagonist does dally with a couple of characters and there is an endgame couple, but this is very much not the main focus. She probably spends more time thinking about pedagogy than about paramours (and I love that for her, because that's who she is).

Overall, I found The Incandescent a compelling read with a cast of engaging characters, interesting modern worldbuilding, and a very strong sense of self (heh), albeit a little oddly paced in a way I can't quite put my finger on. My recommendation is to ignore all marketing and just give it a sneak-peek read to see if it feels like your cup of tea.

Kubushiro Ochimi (1882-1972)

Aug. 1st, 2025 07:48 am
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Kubushiro Ochimi was born in 1882 in Kumamoto; her maiden name was Okubo. She was named Ochimi (“fallen fruit”) because her birth coincided with a bad period for her parents, while her sister, born when their fortunes had started to improve, was Okimi (“rising fruit”). Her mother Otoha had once worked at the Tomioka Silk Mill with Wada Ei and supported the family with physical labor for a long time, while her father was a ne’er-do-well who finally found his footing, more or less, as a pastor who worked as a missionary overseas. Ochimi was the great-niece of Yajima Kajiko, who upon meeting her in her teens judged that she would probably study seriously, since she wasn’t pretty.

After graduating from high school in 1903 (where she studied with Tsuneko Gauntlett, who recalled her being “bright, but unsmiling and without charm, just like her great-aunt”), she accompanied her parents to the United States and attended the Pacific Theological Seminary, graduating in 1909 (she was to receive certification as a pastor in Japan in 1966 at the age of eighty-three). During her time there, she experienced the 1906 San Francisco earthquake and served as an interpreter (including for Japanese prostitutes, whose situation triggered her lifelong drive to end prostitution) during the relief work.

In 1910 she married Kubushiro Naokatsu, also a pastor, and returned subsequently with him to Japan, where they set up a church in Tokyo (Naokatsu was to officiate at the wedding of Muraoka Hanako, the Japanese translator of Anne of Green Gables). They eventually had three sons and a daughter, of whom two sons lived to grow up. In addition to her religious work, Ochimi was active in anti-prostitution—coordinating nationwide movements and fundraising—and temperance work with the Women’s Association for Reforming Customs (the Japanese WCTU), of which she was a leader for over forty years.

Naokatsu died in 1920. In 1924, Ochimi and Ichikawa Fusae founded the Women’s Suffrage League; their slogan was 婦選なくし普選なし, a pun meaning “no regular suffrage without women’s suffrage,” both pronounced fusen in Japanese. Ochimi traveled extensively to attend conferences and study abroad, including a trip to the US in 1935 to study sex education. In 1940, she was involved in promoting the “Christians Celebrating Year 2600” event, a piece of elaborate nationalist propaganda and remarkable cognitive dissonance, involving as it did both prayers in the direction of the Emperor and readings from the Bible (“I have seen a new heaven and a new earth”).

After the war, she continued to work against prostitution (influencing the passing of the 1956 Prostitution Prevention Law) and for sex education, holding posts on several government committees, and running more than once for office, although without success; she also made efforts to clarify the issue of “biracial children” in postwar Japan (the children of American soldiers and Japanese women) and to support the single mothers who were often raising them. She died in 1972 at the age of eighty-nine.

Sources
Tanaka
https://www.city.yamaga.kumamoto.jp/kiji003121/3_121_40_010.PDF (Japanese) Lots of photos of Ochimi at various times in her life
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Pre-orders have opened for print editions of contemporary romances Summer Cicada (夏蝉, pinyin: xia chan) by Tao Jiu De Jiaohuazi (讨酒的叫花子), originally serialised online as You've Really Caught My Fancy (十分中意你, pinyin: shifen zhongyi ni), and Dual Channel (双声道, pinyin: shuang shengdao) by Yi Zhi Mao Bu Yu (一只猫不语), originally serialised online as Our Favourite VAs Got Together? (cv女神在一起了?, pinyin: cv nüshen zai yiqi le) (h/t [profile] laine6644 for the title translation). Both are mainland editions, so will be in simplified Chinese and censored.

Pre-orders for Summer Cicada can be made via the following bookshops:


The web version of the novel can be read here on JJWXC.

Pre-orders for Dual Channel can be made via the following bookshops:


The web version of the novel can be read here on JJWXC.
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The link to the novel on JJWXC can be found here.

You can also follow the novel through the audiobook on Himalaya, though there may be slight changes and ommissions from the original.

Please feel free to post chapter summaries if I'm not getting to them by the planned schedule (one for every weekday Monday to Friday).

Discussion for Chapter 1-10 here.
Discussion for Chapters 11-20 here.
Discussion for Chapters 21-30 here.

Tasha Suri's Burning Kingdoms Trilogy

Jul. 25th, 2025 04:29 pm
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The Jasmine Throne, The Oleander Sword, and The Lotus Empire

The Burning Kingdoms is an ambitious high-fantasy saga set in an India-inspired secondary world, in which an orphan priestess from an oppressed client state seeking personal and national independence, and the disgraced princess seeking support for her rebellion against her insane brother the emperor, must make common cause. This is a proper epic fantasy with court politics, battles, a doomed (or is it?) romance, dozens of side characters, multiple POVs, the lot.

There is much to like here, though I don’t think it all fully pays off in the end. In part, this is because, in my opinion, the most interesting, developed, and unique character is actually neither Priya (priestess) or Malini (princess), the nominal joint protagonists, but Bhumika, who was herself a priestess in Priya’s order, but during the final submission of their state, married into the new governing nobility. She has a kind of bone-deep pragmatism which expresses itself both in mercilessness and in mercy, and Suri maps her journey over the trilogy towards becoming a leader for a world in which all sides are able to live together with a precise, insightful hand. Meanwhile, as individuals, Priya and Malini have great moments, and their individual storylines (which spend a lot of time apart) are quite convincing as stories and as psychological portraits, but their relationship, which is nominally the core of the series, gets less persuasive with every book. Malini especially gets increasingly flattened as the series goes on, because she has to be a genius commander/coldhearted empress type while also hitting some pretty strained romance beats, and that doesn’t fit together well, particularly compared to Priya, who has more narrative space to grow without messing up the plot-engine, and Bhumika, who basically has the hero’s journey. The whole thing felt like it got a little less expansive with each book, like Suri had bitten off more than she could chew.

However, what she did manage was great. As its own thing, The Jasmine Throne is an enormously successful introductory novel for the trilogy. I loved the way religion exists in this world and in the story. You could say Malini is an atheist or anti-theist, even, while Priya and Bhumika have far more complicated relationships to their gods and the role religion can play as a tool of nationalism and in-group solidarity. Suri takes religious ritual and belief seriously in a way that is rare in SFF, and in that seriousness, she manages to use it to drive a fantastic set of emotional journeys and plot elements. You also get to see so many parts and aspects of this rich world, all described very beautifully, and while I can see how it would be confusing, I enjoy the multiple POVs scattered throughout the book which take us, sometimes very briefly, into the heads of many significant and insignificant individuals throughout the empire.

I am sad that it didn’t quite soar, but it was definitely worth the read.

Marie-Louise (1875-1956)

Jul. 25th, 2025 08:29 am
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Marie-Louise was born Aihara Miné in 1875 in Tokyo, the daughter of a Japanese woman and an Irish military attaché. In early childhood she enjoyed the life of a diplomat’s daughter, sometimes taken by her parents to balls at the British Ministry. After her father’s death in 1885 her mother struggled to support the family, and Miné eventually had to leave school because there was no money for fees.

In 1891, her father’s sister, who lived in Paris, offered to adopt her, a plan which Miné’s mother accepted reluctantly in order to give her daughter a better chance. Accompanied by the Minister Plenipotentiary’s wife, Mary Fraser (known to us as a friend of Yei Theodora Ozaki), Miné traveled to France and moved in with her aunt, where she was baptized as a Catholic, choosing the baptismal name Marie-Louise for the Virgin Mary and King (St.) Louis IX.

In 1894, feeling the need to learn a trade, she was inspired by the fashion of the women around her in Paris. It seemed unlikely that Western fashions would catch on immediately in Japan, but hair and makeup might give her a way in. She enrolled in a beauty school in Paris, learning about marcel waves, wigs, hair extensions, and cosmetology (she even rented an apartment in secret from her aunt and used it as a salon, offering free hairdressing to models who would let her practice on them). Eventually she became advanced enough to teach at the school herself.

Come her thirties, Marie-Louise started receiving more letters from her mother urging her to return to Japan. Accompanied by the Ambassador to France, Kurino Shin’ichiro, she returned home in 1911 for the first time in nineteen years. There, as Japan internationalized, she became the Imperial Household’s consultant on Western dress. Through introductions from Kurino’s wife Eiko, she also served as beautician to the nobility; Eiko also helped her reaccustom herself to the minutiae of Japanese life.

In 1913 she opened the “Pari-in” or Paris Shop, Japan’s first Western-style beauty salon, popular with the ladies of high society (thanks to whom Marie-Louise was able to polish her faltering Japanese). Among other innovations, she rescued women from time-consuming struggles with long hair with the “Louise hairpiece,” based on Parisian wigs, which could be easily reshaped and removed at night; it sold up to 150 a day. In the same year, Marie-Louise opened the Paris Beauty Academy, passing on beautician skills to the numerous women left widowed or otherwise adrift by the Russo- and Sino-Japanese Wars.

In 1923, the Paris Shop was destroyed by the Great Kanto Earthquake; Marie-Louise fled to a nearby park with a handful of tools, which she used to bring some comfort to the other women gathering there, before opening Marie-Louise Cosmetics and the Marie-Louise Beauty Academy in her home. The Academy later expanded to a total of five branches. A year later, Marie-Louise served as the beautician in charge at the wedding of Crown Prince Hirohito (shortly to become the Showa Emperor) and Princess Nagako, solidifying her position as a trendsetter and habituée of women’s magazine spreads. Her schools continued to expand, although she kept tuition low in order to enable more women to learn the trades they needed.

The main school burned down in the 1945 firebombing of Tokyo. Although it was an enormous blow to Marie-Louise, then evacuated to the Karuizawa resort, it was to be rebuilt by 1947; in the same year, an official beautician’s exam was established, and Marie-Louise was the first to receive a license.

In 1953, Marie-Louise was given an award by the French “Cercle des arts et techniques de la coiffure de Paris” for her work in bringing Parisian beauty culture to Japan. She admired her award and left in the middle of the ceremony, explaining that she had a class to teach. She continued to teach until shortly before her death in 1956 at the age of eighty-one.

Never married, she took Mukai Matsusaburo as her adopted son in 1916; he married her most promising student, Chiba Masuko, and their children and stepchildren continued to build the Marie-Louise empire (some taking “Marie-Louise” as their family name). (According to Mukai’s daughter Akiko, he and Marie-Louise were themselves lovers, but he was so much younger that they were not able to marry, and decided instead on becoming mother and son. Whether or not this is true, they apparently made the family work.) Among her best friends was Oguchi Michiko, a beautician and women’s rights activist who was also a friend of Nishikawa Fumiko.

Sources
https://ja.wikipedia.org/wiki/%E3%83%9E%E3%83%AA%E3%83%BC%E3%83%AB%E3%82%A4%E3%82%BA (Japanese) Various relevant photographs
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