Otsuma Kotaka (1884-1970)

Oct. 10th, 2025 08:06 pm
nnozomi: (pic#16721026)
[personal profile] nnozomi posting in [community profile] senzenwomen
Otsuma Kotaka was born in 1884 in a Hiroshima village, the youngest of six children; her maiden name was Kumada. Because she was born at rice-planting time, she went nameless for five months until her family had a moment to submit a notice of her birth (“Kotaka” is said to have been a dialect corruption of “komatta ko” or “problem child”). Bright and hardworking, orphaned by fourteen, she became an elementary school teacher after finishing what we would now call junior high school, studying sewing on the side.

In 1901 she quit her job and set off for Tokyo, staying with an uncle’s family while she trained in Japanese and Western sewing (she had hoped to study math and physics, but was told it wasn’t womanly) and simultaneously studied for her formal elementary teaching qualifications. A full-fledged teacher by twenty-two, she took up a job in Kamakura.

In 1907 she married Otsuma Ryoma, an ex-military public building contractor who was then thirty-six. They were introduced by a cousin of hers, who ran Kotaka and Ryoma through a simplified marriage ceremony almost before Kotaka had realized that it was anything more than an initial meeting. On their way home, Ryoma invited a horrified Kotaka to visit the Ueno Exposition with him; they explored in silence, ate an awkward bowl of noodles, and he saw her back to her uncle’s house and left her there.

The two eventually did move in together; with Ryoma’s cooperation, Kotaka opened a sewing school in their new house, which became very popular. Eventually, overflowing their downstairs, it became the Tokyo Women’s Handcraft School and then the officially accredited Otsuma School of Handcrafts (whose motto was “Have some shame” or “Don’t be a disgrace”), moving into its own building in 1918. Three years later the school received governmental approval as the Otsuma Higher Girls’ School. In the 1920s and 1930s Kotaka published how-to sewing manuals that became bestsellers.

During the war, an Otsuma education was held up as the model training for ryosai kenbo or the “good wives, wise mothers” considered the Japanese woman’s ideal form. Afterward, Kotaka was purged for some time due to her support for the wartime Japanese government. She was later, however, to receive various imperial awards for her services to education; the Otsuma foundation now includes education for girls from junior high through graduate school, with a focus on home economics. Kotaka died in 1970, incidentally outliving her husband by over forty years.

Sources
Nakae
https://www.otsuma.jp/kotaka (Japanese) Covers of the books Kotaka published.
douqi: (fayi 2)
[personal profile] douqi posting in [community profile] baihe_media
Pre-orders have opened for: the contemporary romance Forbidden to Fall in Love (禁止动心, pinyin: jinzhi dongxin) by Jing Wu (璟梧), published under the title Greed (贪心, pinyin: tanxin) which from the synopsis sounds like a sugar mommy/baby to lovers deal (I could be wrong; the synopses are often misleading), and the second and final volume of Niannian (念念, pinyin: niannian) by Jin Ke (今轲), a showbiz novel with a rebirth element. These are both mainland editions, so will be in simplified Chinese and censored.

Pre-orders for Forbidden to Fall in Love can be made via the following bookshops:


The web version of the novel can be read here.

Pre-orders for the second volume of Niannian can be made via the following bookshops:


The web version of the novel can be read here.
douqi: (gu qu)
[personal profile] douqi posting in [community profile] baihe_media
Friend-of-the-comm [twitter.com profile] bobbutls recently posted a review of the demo version of baihe visual novel Citrus Summer (橘香仲夏, pinyin: ju xiang zhongxia). The tl;dr summary: Great sprite art, pity about literally everything else, and also why was it built in UNREAL ENGINE??? Did they even playtest the English version????

The general premise seems to be that the protagonist receives a mysterious perfume from a talking plushie that... basically turns her gay? As the reviewer notes, this is highly questionable. Full review embedded below the cut for people who aren't or don't want to be on Twitter.

Read more... )

If anyone has thoughts on this or other baihe games, feel free to make a post! For instance, I know some people were interested in Love Curse, another baihe visual novel which was released a few months ago, so it would be great to have your thoughts on that if you've played it!

Makiko Vories (1884-1969)

Oct. 3rd, 2025 08:10 pm
nnozomi: (pic#16721026)
[personal profile] nnozomi posting in [community profile] senzenwomen
Makiko Vories was born in 1884 in Hyogo. Her maiden name was Hitotsuyanagi and her father was a member of the House of Peers; her mother Eiko worked with Yajima Kajiko and the WCTU to promote monogamy. After studying music during high school in Kobe, Makiko moved in as a kind of au pair with her brother Keizo and his wife Kameko, the daughter of Hirooka Asako; Keizo had taken her name and inherited Asako’s businesses.

In 1909 she left for the US to attend Bryn Mawr College, Tsuda Umeko’s alma mater, which offered a scholarship for women from Asia. While there, she worked in educational practice with Alice Bacon and was baptized as a Presbyterian.

In 1919, after Makiko’s return to Japan, Keizo hired the American architect William Merrill Vories to build him a house (Vories, who had come to Japan as an English teacher and been fired for his missionary work, then had virtually no actual experience in architecture). Makiko served as the architect’s interpreter, and then as his wife (society disapproved of the daughter of a nobleman marrying one of those foreigners, but Asako spoke up for them). He officially took her name and became Hitotsuyanagi Merrell (Mereru) on paper. They moved to Omi-Hachiman on Lake Biwa in west Japan, where they were to spend the rest of their lives. In addition to Vories’ highly successful architect’s office, they worked as missionaries and founded the Omi Brotherhood School, originally the Seiyuen Kindergarten aimed at small children with working parents, which still exists today as Vories Gakuen (mostly famous for baseball).

Vories took Japanese citizenship during the war. He died in 1964 and Makiko five years later, at the age of eighty-five.

Sources
https://kajimaya-asako.daido-life.co.jp/column/27.html (Japanese) Photos of Makiko and her husband as well as some of his buildings
http://www.vories.co.jp/work/special.html (Japanese) Selection of Vories’ architectural work

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